One late Reclineed to the foot of the figueira I lean myself on my souvenirs. The afternoon only slides softly for the slope of the hours. Ace waters of the lake, made of the river, tremulam as if they had with cold. Seeing and the sun plays of wheel when playing with leves of the tree. Late of field, late of pure fancy. I think exactly about me and in what I made I feel myself awarded by the paternity. I obtained to transmit more than what simple chromosomes I see translucent crepitar of the consequence of the sun in waters As well as I see my consequence in mine other souls. The small mirror that photographs part of my reason Reflects it in the ways and shades my hopes That my fruit when growing ties to the land my principles and my promises of life To be! Nothing it would be if it did not have the certainty of tomorrow of the incontidas reasons the Souls write the future in notebooks that breathe Breathe phrases, knowledge and reasons. In the principle it was the verb. In passing of the years, the attitudes. In the end, candies souvenirs. The sun if puts! The calm waters still dance musics flautadas for Bacos unknown. Mine body if joins to the trunk of the figueira and I changed myself into the landscape. I am leaf, I am trunk, I am caule. I am tree. My fruits already are trunks of trees that will win on storms. I am father. I was strong. I am father of forts. To the winds exclamo, that if today I am weak had been my fruits exauriram that me. They had absorbed my cantos of happiness. They had stolen my smiles in my memories. They had taken off of the cantos my eyes of tears. They had taken off my years, had given a life to Me.
The protagonist of history was abandoning its old distrusts that the ignorance on its past brought. On the other hand he was acquiring bigger others still. When entering the reading of Cangaceiros, he perceives yourself that the author transcribes with details as if gave, fictitiously, the convivncia of ' ' santo' ' the penitentes, in the Rock, the arrival donates cangaceiros, the arrival of the battalions of the projections, the fight, death and destruction of the saint and encampment respectively. From this point, the romancista enters the total story of the life sertaneja, that however it suffers with the presence of the cangaceiros, however suffers with the repressive presence from polices, known as projecting, that little was distinguished from the first ones, either in its form to wear, either in its violence and astuteness, arriving until if using of the same methods to get itself what wanted. Rock Bonita and Cangaceiros is a vast world where if it can study with details the diverse aspects of the states northeasterns and its people in 1837 middle, therefore although the workmanships to be in the fictitious plan, all workmanship is known that literary it is likely, being the reality the starting point for any boarding of this shape. These workmanships bring a character criticize very great in relation to the social factors of the classrooms without sanction of the Brazilian population, therefore the northeasterns are not seen as human beings endowed with necessities as any another one, but they are seen as animal that they serve for manipulation of the interests of that they are not imported with the problems of its fellow creatures same being capable to help them. More than what to speak of the tragedy of ' ' Bonita' rock; ' , Jose Lins of Rego wanted to explanar of poetical and mstica form all the factors that are for of this and many other tragedies, therefore that choice option has the people that they live far from a igualitrio social system, that not even has with what to feed itself? The only exit is to deliver itself at the hands of that to demonstrate a light to them in the way of as many darknesses, of as many problems above of its capacity of solution.