The Carnival caleo 1 of 7. The undulating Caleo Carnival by the Salsdromo is more and more a social and cultural reality, vertebral part of the Fair, majestic event of opening and place of expression of the caleidad that, slowly and inexorably, will evolve transforming them. Reiterating a little the commentaries of the last year, we credit to the great profits and deficiencies of this version. First of all, we consolidated the Carnival we positioned, it in the Salsdromo; this one is the most important profit, in his third version; we improve the drawn up one by the Freeway although I insist – as year I affirmed the past it that Roosevelt is magnificent by the traditional thing and the possibility of initiating and of culminating in multiple parks and scenes Tree-lined avenue, Pavilion, Olympic Stage and Pan-American Fields; and we improved the format with the opening of great orchestras followed of the dance schools. Great profits in the middle of many more.
We capitalize three profits but one is to make a cultural product of universal value, that extends the provincialismo caleo, if one is to position to us with an international supply, I believe that we must advance much more, for that reason will insist very critically on some subjects that none reduce value to him to the successes. We will go by parts with the intention of to construct a competitiveness factor that attracts the investment and the tourism, that generates work opportunities, that mobilizes the economy of long breath and that distinguishes in the scope of the world-wide supply of the culture and the entertainment. Lack is going us very well but to reach the excellence much. Many are the components of the magnificent spectacle, among them: the launching – weeks before in the Municipal Theater, the atmosphere of city, the promotion and image, the infrastructure (stationary and traveling closings, accesses, tribunes, services public, sales), mobility (general and local), the script, the logistics for the public (information services, accesses, peatonalizacin, income, exits, first aid), the putting in scene (with the corresponding one logistic in scene), the scene (the artistic groups, the choreography, music), the means and the handling of the residues.