Spring Summer

The tendencies of this Spring-Summer 2011, give a very important place him in the fashion to the skirts. Being the protagonist main the buttoned ones in the part of and those of color ahead navy blue, a serious color but that adapts to almost all the looks very well. The basic model that cannot lack in any of our closets is one pretty skirt of flight in a smooth color, that can be combined with several t-shirts in different colors and printings. And if they add to these skirts a carved American to him, they will be able sophisticated look, perfect to go to work to the last passage of the fashion. If you prefer to risk and to combine styles, bet by a ray skirt white and Fantastic Company navy blue, own of the style navy, combined with an original t-shirt where a great bow receives part of protagonism in look. If however they want to shine a more infantile style, Dolores Promesassugiere the skirts buttoned with a pink blouse, and comfortable dancing. Designs minis and rectums, in showy tones, set out in addition so that they play with the multitude of proposals in colorful and printed t-shirts that tendencies 2011 offer to us. In Handle on the other hand they will be able to find a line that goes from the classic cattle skirts to red the more brilliant, to equip with protagonism looks more unreliable people. For chic, a gauze blouse and skirts with steering wheels buttoned with delicate Rep bellboys it, will be the option who walked looking for. The skirts in denim never happen fashionable, but they adapt to the new tendencies and therefore they renew. There are them for this new season in different lengths, with more and less bellboys, of flight, straighter and with different graduations in the spent Primark which proposes in this occasion in skirts it is apt only for highest. A model over the knee, practically straight.

Spring Summer

The tendencies of this Spring-Summer 2011, give a very important place him in the fashion to the skirts. Being the protagonist main the buttoned ones in the part of and those of color ahead navy blue, a serious color but that adapts to almost all the looks very well. The basic model that cannot lack in any of our closets is one pretty skirt of flight in a smooth color, that can be combined with several t-shirts in different colors and printings. And if they add to these skirts a carved American to him, they will be able sophisticated look, perfect to go to work to the last passage of the fashion. If you prefer to risk and to combine styles, bet by a ray skirt white and Fantastic Company navy blue, own of the style navy, combined with an original t-shirt where a great bow receives part of protagonism in look. If however they want to shine a more infantile style, Dolores Promesassugiere the skirts buttoned with a pink blouse, and comfortable dancing. Designs minis and rectums, in showy tones, set out in addition so that they play with the multitude of proposals in colorful and printed t-shirts that tendencies 2011 offer to us. In Handle on the other hand they will be able to find a line that goes from the classic cattle skirts to red the more brilliant, to equip with protagonism looks more unreliable people. For chic, a gauze blouse and skirts with steering wheels buttoned with delicate Rep bellboys it, will be the option who walked looking for. The skirts in denim never happen fashionable, but they adapt to the new tendencies and therefore they renew. There are them for this new season in different lengths, with more and less bellboys, of flight, straighter and with different graduations in the spent Primark which proposes in this occasion in skirts it is apt only for highest. A model over the knee, practically straight.

Real Literature

As in a it firms Moiss (1997, P. 27): Admitting literature comopara-reality, it remains to examine the way as the parallel reality if it organizes. Omundo for-Real where the text if constitutes is latent: the text not ocontm, – it evokes; it does not lock up it, – it suggests it; it is not the universe for Real, – maso signal that points and the substance forms that it. The universe for-Real not this notexto, what it would be to confuse with this while object, but in a space that otexto produces with the complicity of the reader. We perceive, then, that literature acts directly in the formation of the citizen, therefore estintrinsecamente on it to this process. Because this mentioned sensitivity emrelao to the world could be placed here as criticidade and having the desenvolvidoesta citizen ability the same leaves of being hostage and starts to approach by means of the weapon doconhecimento. Moreover, when the reader if identifies with the text, eleadquire a spontaneous and independent knowledge from its comoleitor experience. Cndido (2000, p.85): ' ' literature is, sobretudouma knowledge form, more than what one form of expression and one construode objects semiologicamente autnomos.' ' then she is viable to consider queliteratura is not simply entertainment, in the truth it amuses it maisinconscientemente develops in the citizen its perception and mainly its sensitivity. In addition the proper Cndido (p.85) salient: … the literary composition means a type of elaboration of the suggestions of personalidadee of the world that possesss autonomy of meaning; but that this autonomy not adesliga of its sources of inspiration in a Real, nor annuls its capacity to deatuar on it. Iniciaresta quarrel emphasizing this function of literature, of relation as psychological human being, is one in such a way how much intencionalpara that reference is made the first informer of the interview realizadapara consolidation of this research.

Real Literature

As in a it firms Moiss (1997, P. 27): Admitting literature comopara-reality, it remains to examine the way as the parallel reality if it organizes. Omundo for-Real where the text if constitutes is latent: the text not ocontm, – it evokes; it does not lock up it, – it suggests it; it is not the universe for Real, – maso signal that points and the substance forms that it. The universe for-Real not this notexto, what it would be to confuse with this while object, but in a space that otexto produces with the complicity of the reader. We perceive, then, that literature acts directly in the formation of the citizen, therefore estintrinsecamente on it to this process. Because this mentioned sensitivity emrelao to the world could be placed here as criticidade and having the desenvolvidoesta citizen ability the same leaves of being hostage and starts to approach by means of the weapon doconhecimento. Moreover, when the reader if identifies with the text, eleadquire a spontaneous and independent knowledge from its comoleitor experience. Cndido (2000, p.85): ' ' literature is, sobretudouma knowledge form, more than what one form of expression and one construode objects semiologicamente autnomos.' ' then she is viable to consider queliteratura is not simply entertainment, in the truth it amuses it maisinconscientemente develops in the citizen its perception and mainly its sensitivity. In addition the proper Cndido (p.85) salient: … the literary composition means a type of elaboration of the suggestions of personalidadee of the world that possesss autonomy of meaning; but that this autonomy not adesliga of its sources of inspiration in a Real, nor annuls its capacity to deatuar on it. Iniciaresta quarrel emphasizing this function of literature, of relation as psychological human being, is one in such a way how much intencionalpara that reference is made the first informer of the interview realizadapara consolidation of this research.