"AN Benoit wrote that everything done miriskusnikami, "did not mean" that they "broke with all past. " On the contrary, claimed Benoit, the core of the World of Art "was behind the resumption of many, both technical and ideological traditions of Russian and international art." And further: " we found ourselves in a large degree of representatives of the same quests and same creative methods that appreciation and a portrait painter in the xviii century, and in Kiprensky and Venetsianov, and Fedotov, and also in the outstanding masters of the immediately preceding us generation – in Archaeology Repin, Surikov. discovered something essential in Russian art of xviii – xix centuries that Diaghilev called "covenants" as wrote about the "covenant" Pushkin. Under most conditions San Antonio Spurs would agree. "To overcome the chaos and sheer arbitrariness, then prevailed in the judgments of the press, Diaghilev encouraged to relate the works of contemporary artists from the ever-wonderful achievements of the Renaissance. "We must rise up to Florence, then to judge all the current art "- he declared. Diaghilev stressed the importance of art criticism, arguing that it is by its nature "independent artistic creativity." Serious student of Russian art I. Zilberstein did not see the special nature of aesthetic position Diaghilev, which unites him with the artists and theorists of Renaissance art in Italy, which is quite during the "Russian Seasons" in Paris. Famous Ballets Russes – is the crown of dreams and poetic realizations Romantics from the banks of the Neva River, led by Benoit, but implemented in life and on the stage of Diaghilev, who was able to evaluate and show the world unknown even to the Russian highest achievements of Russian art in the last two centuries. .
Lesson 3. Musicianship in the school of classical guitar are two main ways of sound production: a game based on a string, and without support. Consider them. Playing with the support of this method to extract the most vivid and loud noises. Therefore used when playing melodic music. Technique of its execution is as follows: Place a finger i to the first string. It should be slightly bent in the penultimate joint. Now tweak the string so that the finger stopped at the next, with a thicker string. It is important to remember that when the game only works her fingers. Brush should not take part in it. After the finger is removed. The sixth string is played without reliance on the grounds that rely not on that. Playing without the support of using this method marks the accompaniment. His technique differs in that after plucking finger is not based on the following string, and moves kakby, inside the palm. Right thumb is whether from the rest. They too can play with support and without support, but more often uses the second method. string in a downward direction, to more subtle. Exercise 1: 1) Turn on the metronome, set the pace 40. 2) Play the first string with the support, alternating fingers i and m. Train up until you can not play a minute without stammering. 3) After you do the same on all the other strings. 4) Increase the pace. Exercise 2: Do the same, alternating between the fingers of m and a.