Month: August 2012

Cyberculture

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The changes that certainly will have to affect the educational systems as resultant of the progress in the area of engineering of systems, digital electronics and tele-transmission of shared data, will change of time the culture the way of the human beings to acquire and to construct its knowledge? This today seems to be one of the great questions raised for specialists in long-distance education. The learning will be, of this time, really democratic and to the reach of all? Who it would not interest these changes in the behavior of the apprenticees, who will be able to come of practically all the social classrooms? Pierre Lvy considers the fantastic possibility of the personalized learnings and at the same time cooperative, suggesting that the professor will become in one ‘ ‘ entertainer of intelligence coletiva’ ‘ , or what he wants that this comes to be. In almost visionary way, even so sufficiently convincing, the author proclaims that the universities of the future would be contributing for new ‘ ‘ economy of conhecimento’ ‘ when organizing communication between employees, individuals and resources of learning of all the sort. The debate if sends to the rays of the philosophy when the author teoriza on vastssima capillarity of the world-wide net of information shared for billions of users in all the planet, as if the authorship of the supreme knowledge ‘ suppressed one; ‘ source to know supremo’ ‘ of divine origin, what effectively it prints sufficiently freedom in the lucubrations and its autorias. How much with the multiplicity and the volume of information, Roy Ascott, cited for the author of the text, it compares such torrent of knowledge to a dilvio of information, that wants god does not make marshy and drowns the multiple cultures of the planet in a mesmice that will not be able to facilitate the Big Brother of the consumista capitalism.

Cyberculture

admin

The changes that certainly will have to affect the educational systems as resultant of the progress in the area of engineering of systems, digital electronics and tele-transmission of shared data, will change of time the culture the way of the human beings to acquire and to construct its knowledge? This today seems to be one of the great questions raised for specialists in long-distance education. The learning will be, of this time, really democratic and to the reach of all? Who it would not interest these changes in the behavior of the apprenticees, who will be able to come of practically all the social classrooms? Pierre Lvy considers the fantastic possibility of the personalized learnings and at the same time cooperative, suggesting that the professor will become in one ‘ ‘ entertainer of intelligence coletiva’ ‘ , or what he wants that this comes to be. In almost visionary way, even so sufficiently convincing, the author proclaims that the universities of the future would be contributing for new ‘ ‘ economy of conhecimento’ ‘ when organizing communication between employees, individuals and resources of learning of all the sort. The debate if sends to the rays of the philosophy when the author teoriza on vastssima capillarity of the world-wide net of information shared for billions of users in all the planet, as if the authorship of the supreme knowledge ‘ suppressed one; ‘ source to know supremo’ ‘ of divine origin, what effectively it prints sufficiently freedom in the lucubrations and its autorias. How much with the multiplicity and the volume of information, Roy Ascott, cited for the author of the text, it compares such torrent of knowledge to a dilvio of information, that wants god does not make marshy and drowns the multiple cultures of the planet in a mesmice that will not be able to facilitate the Big Brother of the consumista capitalism.

Cyberculture

admin

The changes that certainly will have to affect the educational systems as resultant of the progress in the area of engineering of systems, digital electronics and tele-transmission of shared data, will change of time the culture the way of the human beings to acquire and to construct its knowledge? This today seems to be one of the great questions raised for specialists in long-distance education. The learning will be, of this time, really democratic and to the reach of all? Who it would not interest these changes in the behavior of the apprenticees, who will be able to come of practically all the social classrooms? Pierre Lvy considers the fantastic possibility of the personalized learnings and at the same time cooperative, suggesting that the professor will become in one ‘ ‘ entertainer of intelligence coletiva’ ‘ , or what he wants that this comes to be. In almost visionary way, even so sufficiently convincing, the author proclaims that the universities of the future would be contributing for new ‘ ‘ economy of conhecimento’ ‘ when organizing communication between employees, individuals and resources of learning of all the sort. The debate if sends to the rays of the philosophy when the author teoriza on vastssima capillarity of the world-wide net of information shared for billions of users in all the planet, as if the authorship of the supreme knowledge ‘ suppressed one; ‘ source to know supremo’ ‘ of divine origin, what effectively it prints sufficiently freedom in the lucubrations and its autorias. How much with the multiplicity and the volume of information, Roy Ascott, cited for the author of the text, it compares such torrent of knowledge to a dilvio of information, that wants god does not make marshy and drowns the multiple cultures of the planet in a mesmice that will not be able to facilitate the Big Brother of the consumista capitalism.

Municipal Theater

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The Carnival caleo 1 of 7. The undulating Caleo Carnival by the Salsdromo is more and more a social and cultural reality, vertebral part of the Fair, majestic event of opening and place of expression of the caleidad that, slowly and inexorably, will evolve transforming them. Reiterating a little the commentaries of the last year, we credit to the great profits and deficiencies of this version. First of all, we consolidated the Carnival we positioned, it in the Salsdromo; this one is the most important profit, in his third version; we improve the drawn up one by the Freeway although I insist – as year I affirmed the past it that Roosevelt is magnificent by the traditional thing and the possibility of initiating and of culminating in multiple parks and scenes Tree-lined avenue, Pavilion, Olympic Stage and Pan-American Fields; and we improved the format with the opening of great orchestras followed of the dance schools. Great profits in the middle of many more. We capitalize three profits but one is to make a cultural product of universal value, that extends the provincialismo caleo, if one is to position to us with an international supply, I believe that we must advance much more, for that reason will insist very critically on some subjects that none reduce value to him to the successes. We will go by parts with the intention of to construct a competitiveness factor that attracts the investment and the tourism, that generates work opportunities, that mobilizes the economy of long breath and that distinguishes in the scope of the world-wide supply of the culture and the entertainment. Lack is going us very well but to reach the excellence much. Many are the components of the magnificent spectacle, among them: the launching – weeks before in the Municipal Theater, the atmosphere of city, the promotion and image, the infrastructure (stationary and traveling closings, accesses, tribunes, services public, sales), mobility (general and local), the script, the logistics for the public (information services, accesses, peatonalizacin, income, exits, first aid), the putting in scene (with the corresponding one logistic in scene), the scene (the artistic groups, the choreography, music), the means and the handling of the residues.

Municipal Theater

admin

The Carnival caleo 1 of 7. The undulating Caleo Carnival by the Salsdromo is more and more a social and cultural reality, vertebral part of the Fair, majestic event of opening and place of expression of the caleidad that, slowly and inexorably, will evolve transforming them. Reiterating a little the commentaries of the last year, we credit to the great profits and deficiencies of this version. First of all, we consolidated the Carnival we positioned, it in the Salsdromo; this one is the most important profit, in his third version; we improve the drawn up one by the Freeway although I insist – as year I affirmed the past it that Roosevelt is magnificent by the traditional thing and the possibility of initiating and of culminating in multiple parks and scenes Tree-lined avenue, Pavilion, Olympic Stage and Pan-American Fields; and we improved the format with the opening of great orchestras followed of the dance schools. Great profits in the middle of many more. We capitalize three profits but one is to make a cultural product of universal value, that extends the provincialismo caleo, if one is to position to us with an international supply, I believe that we must advance much more, for that reason will insist very critically on some subjects that none reduce value to him to the successes. We will go by parts with the intention of to construct a competitiveness factor that attracts the investment and the tourism, that generates work opportunities, that mobilizes the economy of long breath and that distinguishes in the scope of the world-wide supply of the culture and the entertainment. Lack is going us very well but to reach the excellence much. Many are the components of the magnificent spectacle, among them: the launching – weeks before in the Municipal Theater, the atmosphere of city, the promotion and image, the infrastructure (stationary and traveling closings, accesses, tribunes, services public, sales), mobility (general and local), the script, the logistics for the public (information services, accesses, peatonalizacin, income, exits, first aid), the putting in scene (with the corresponding one logistic in scene), the scene (the artistic groups, the choreography, music), the means and the handling of the residues.

Municipal Theater

admin

The Carnival caleo 1 of 7. The undulating Caleo Carnival by the Salsdromo is more and more a social and cultural reality, vertebral part of the Fair, majestic event of opening and place of expression of the caleidad that, slowly and inexorably, will evolve transforming them. Reiterating a little the commentaries of the last year, we credit to the great profits and deficiencies of this version. First of all, we consolidated the Carnival we positioned, it in the Salsdromo; this one is the most important profit, in his third version; we improve the drawn up one by the Freeway although I insist – as year I affirmed the past it that Roosevelt is magnificent by the traditional thing and the possibility of initiating and of culminating in multiple parks and scenes Tree-lined avenue, Pavilion, Olympic Stage and Pan-American Fields; and we improved the format with the opening of great orchestras followed of the dance schools. Great profits in the middle of many more. We capitalize three profits but one is to make a cultural product of universal value, that extends the provincialismo caleo, if one is to position to us with an international supply, I believe that we must advance much more, for that reason will insist very critically on some subjects that none reduce value to him to the successes. We will go by parts with the intention of to construct a competitiveness factor that attracts the investment and the tourism, that generates work opportunities, that mobilizes the economy of long breath and that distinguishes in the scope of the world-wide supply of the culture and the entertainment. Lack is going us very well but to reach the excellence much. Many are the components of the magnificent spectacle, among them: the launching – weeks before in the Municipal Theater, the atmosphere of city, the promotion and image, the infrastructure (stationary and traveling closings, accesses, tribunes, services public, sales), mobility (general and local), the script, the logistics for the public (information services, accesses, peatonalizacin, income, exits, first aid), the putting in scene (with the corresponding one logistic in scene), the scene (the artistic groups, the choreography, music), the means and the handling of the residues.

Movies

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The list obtains to be a little bigger. It if dilata in three times this if to focarmos in the producing Sidney and actor. In the present film it acts in the three sources. Twirled in 2005, Nicole makes perfect lourinha been born in Africa, that says some languages, empunhou weapons, since the life in Africa does not seem unpunished, and if it says in the ONU for believing that the dialogue is more important that the military service. What it speaks not writes. For who it attended some thing of displayed the Pollack quantity above, it together with knows that the plasticity that it confers, climate happened of this, becomes any plot – of the denunciation melodrama, palatvel to the extremity in the act to attend cinema. History X, on ' ' genocida' ' that it would be assassinated in full ONU inside of some days history is of little importance face ' ' y' ' , of the one against dance of Nicole and Sean in the New Iorque de Sidney. With a perpetual made right camera, with small propositais deceits, for bigger credibility of the atmosphere, and other artifices of one mago in mission end, ' ' The Intrprete' ' it enters in the wheel of the good one for entertaining for the door of the front and locks up a beam of films that caused much delight in diverse auditoriums. Nicole heard a conspirativo whisper, Sean is widower has two weeks, it inquires on the past of it, it says that in Africa the name of deceased is not said, and when the reason hangs for the murder, the family of the victim chooses if she wants to suffer or if to free of the suffering. Because, to suffer, it is enough to apply the law of the tooth for tooth to the assassin.

Movies

admin

The list obtains to be a little bigger. It if dilata in three times this if to focarmos in the producing Sidney and actor. In the present film it acts in the three sources. Twirled in 2005, Nicole makes perfect lourinha been born in Africa, that says some languages, empunhou weapons, since the life in Africa does not seem unpunished, and if it says in the ONU for believing that the dialogue is more important that the military service. What it speaks not writes. For who it attended some thing of displayed the Pollack quantity above, it together with knows that the plasticity that it confers, climate happened of this, becomes any plot – of the denunciation melodrama, palatvel to the extremity in the act to attend cinema. History X, on ' ' genocida' ' that it would be assassinated in full ONU inside of some days history is of little importance face ' ' y' ' , of the one against dance of Nicole and Sean in the New Iorque de Sidney. With a perpetual made right camera, with small propositais deceits, for bigger credibility of the atmosphere, and other artifices of one mago in mission end, ' ' The Intrprete' ' it enters in the wheel of the good one for entertaining for the door of the front and locks up a beam of films that caused much delight in diverse auditoriums. Nicole heard a conspirativo whisper, Sean is widower has two weeks, it inquires on the past of it, it says that in Africa the name of deceased is not said, and when the reason hangs for the murder, the family of the victim chooses if she wants to suffer or if to free of the suffering. Because, to suffer, it is enough to apply the law of the tooth for tooth to the assassin.

Movies

admin

The list obtains to be a little bigger. It if dilata in three times this if to focarmos in the producing Sidney and actor. In the present film it acts in the three sources. Twirled in 2005, Nicole makes perfect lourinha been born in Africa, that says some languages, empunhou weapons, since the life in Africa does not seem unpunished, and if it says in the ONU for believing that the dialogue is more important that the military service. What it speaks not writes. For who it attended some thing of displayed the Pollack quantity above, it together with knows that the plasticity that it confers, climate happened of this, becomes any plot – of the denunciation melodrama, palatvel to the extremity in the act to attend cinema. History X, on ' ' genocida' ' that it would be assassinated in full ONU inside of some days history is of little importance face ' ' y' ' , of the one against dance of Nicole and Sean in the New Iorque de Sidney. With a perpetual made right camera, with small propositais deceits, for bigger credibility of the atmosphere, and other artifices of one mago in mission end, ' ' The Intrprete' ' it enters in the wheel of the good one for entertaining for the door of the front and locks up a beam of films that caused much delight in diverse auditoriums. Nicole heard a conspirativo whisper, Sean is widower has two weeks, it inquires on the past of it, it says that in Africa the name of deceased is not said, and when the reason hangs for the murder, the family of the victim chooses if she wants to suffer or if to free of the suffering. Because, to suffer, it is enough to apply the law of the tooth for tooth to the assassin.