The Divine Comedy

' Jos' ' existencialista? The famous poem ' ' Jos' ' , of Drummond, already it was used to advantage as letter of popular song. Thanks to it, the expression ' ' now, Jose? ' ' if it popularized as synonymous of dead-end or brainstorming. Without none I exaggerate, we can speak here in existencialistas intentions, since ' ' Jos' ' (a mask under which the poet if hides) if he finds in a sufficiently conflituosa situation, similar to the situation-limit so common in the philosophy of the existence. Isolated in its cantinho of solitude and sadness, it if gives to a questioning on the direction of the existence human being, etc. Seno, sees. ' ' now, Jose? The party finished, the light erased, the people disappeared, the night cooled, and now, Jose? ' ' Something similar, by the way, we go to find in the personages of Franz Kafka, author who if became world-wide known for having bred extremely overwhelming literary types. Thus, the workmanships the Process and the Metamorphosis can be seen as existencialistas, in the measure where they are constructed having as deep cloth of a situation for there of esdrxula: the nonsense subjaz to all the told situations, exactly those of apparent normality. Everything this is fruit, possibly, of the constant readings that Kafka made of authors daily pay-existencialistas as Sren Kierkegaard and Dostoievski. In turn, it does not consist that Drummond had made readings of this type, although to have been contemporary of the great names of the existencialista movement: Heidegger, Sartre and Camus. However, all the great literature always has a great philosophy for backwards. Only to be in an example sufficiently known: The Divine Comedy, of Dante, had the thought of Toms de Aquino as cloth of deep. Recently, speaking to the Tropical electronic magazine, the Blessed philosopher the Prado Jr Detached that he is ' ' surprising the secular coincidence of the emergency of subjects, theoretical, practical and estilsticas choices between the two authors Drummond and Sartre, without if it can speak of influence ' '.

The Divine Comedy

' Jos' ' existencialista? The famous poem ' ' Jos' ' , of Drummond, already it was used to advantage as letter of popular song. Thanks to it, the expression ' ' now, Jose? ' ' if it popularized as synonymous of dead-end or brainstorming. Without none I exaggerate, we can speak here in existencialistas intentions, since ' ' Jos' ' (a mask under which the poet if hides) if he finds in a sufficiently conflituosa situation, similar to the situation-limit so common in the philosophy of the existence. Isolated in its cantinho of solitude and sadness, it if gives to a questioning on the direction of the existence human being, etc. Seno, sees. ' ' now, Jose? The party finished, the light erased, the people disappeared, the night cooled, and now, Jose? ' ' Something similar, by the way, we go to find in the personages of Franz Kafka, author who if became world-wide known for having bred extremely overwhelming literary types. Thus, the workmanships the Process and the Metamorphosis can be seen as existencialistas, in the measure where they are constructed having as deep cloth of a situation for there of esdrxula: the nonsense subjaz to all the told situations, exactly those of apparent normality. Everything this is fruit, possibly, of the constant readings that Kafka made of authors daily pay-existencialistas as Sren Kierkegaard and Dostoievski. In turn, it does not consist that Drummond had made readings of this type, although to have been contemporary of the great names of the existencialista movement: Heidegger, Sartre and Camus. However, all the great literature always has a great philosophy for backwards. Only to be in an example sufficiently known: The Divine Comedy, of Dante, had the thought of Toms de Aquino as cloth of deep. Recently, speaking to the Tropical electronic magazine, the Blessed philosopher the Prado Jr Detached that he is ' ' surprising the secular coincidence of the emergency of subjects, theoretical, practical and estilsticas choices between the two authors Drummond and Sartre, without if it can speak of influence ' '.

Miracles

Yes, it can succeed a miracle. It smiles, jeeing itself: since when it believes miracles? It is a callous citizen for the life, has the bitter experience of how much the fight for the survival is difficult. The past taught to it, educated it with the proper examples. Good The fight continues although everything e, resoluto, removes the phone of the hook and dials, reentregando it the administrative function: – ngela gives a small jump here. All good, I wait. It restitutes the phone and it arranges the esparsos papers on bir, trying to occupy, to deceive the proper spirit. Without delaying, it hears the pats in the door, announcing the entrance of somebody. The door if opens and the brown, esguia, gracious figure of ngela appears. – Good day. – Good day, ngela. The young one passes, closes the door and in fast steps achega it the chair the front of bir and sits down, crossing the long legs, well-made. E, smiling, waits. Then Its Gilbert: – How he is, all good with you? Keeping the smile of covinhas in the pretty face, it he answers: – Everything certinho . – Excellent excellent. With discretion then it fixes the legs displayed for the minissaia and, suddenly excited, he thinks about the loving program that will after tan the expedient with the secretary. Intelligent, knowing it, the young understands it e, conserving the smile, waits – What such people to give ones today voltinhas? – Pra me, all good. – Excellent excellent. They are faced, understanding itself, in the language where the words are unnecessary. Removing the handkerchief of the pocket of the pants, Its Gilbert passes it in the forehead, and faces. ngela rests the left leg on the right thigh, substituting the previous position with the right, in the sensual, provocative game to the pleasure waits that them. Malicious, the head smiles, understanding it. 2 the wide gate of the entrance exits of the laborers closed. The strait and long culvert a little moved away, to the left of Portaria, without expelling the smoke of the wood burnt for the boilers. The silence heavy that involves the building of conjugated sections, without nobody. Where the boxes are the trucks carrying or leading the material for the confection of the paper? Where are tractors giant, yellow, that they collect and leads the bagasse of sugar cane for the mat that takes in turn it to the cozinhadeiras, in the first one to walk? All stopping. But one or another watchman watching over the patrimony of the Company. – We are declared insolvent. Its Gilbert in relief says baixinho, realist, after the fast analysis what presencia e, horn, announcing itself. The gate is opened and the automobile enters to devagar, soft, as if it feared to wound the rocks esbranquiadas for the time and that already if they find dirty for papers that fly, dancing to the wind of the morning. Yes, patio enters in the great quiet e. The guard closes the gate. In the sky the sun scintillates with bigger force, announcing the summer, therefore after all of accounts, nothing for, everything it follows the command of a Great Force. Jumping of the car, Its Gilbert it is directed its cabinet, in the first one to walk, where it will only meet alone, in the shelter of the absentees.

Miracles

Yes, it can succeed a miracle. It smiles, jeeing itself: since when it believes miracles? It is a callous citizen for the life, has the bitter experience of how much the fight for the survival is difficult. The past taught to it, educated it with the proper examples. Good The fight continues although everything e, resoluto, removes the phone of the hook and dials, reentregando it the administrative function: – ngela gives a small jump here. All good, I wait. It restitutes the phone and it arranges the esparsos papers on bir, trying to occupy, to deceive the proper spirit. Without delaying, it hears the pats in the door, announcing the entrance of somebody. The door if opens and the brown, esguia, gracious figure of ngela appears. – Good day. – Good day, ngela. The young one passes, closes the door and in fast steps achega it the chair the front of bir and sits down, crossing the long legs, well-made. E, smiling, waits. Then Its Gilbert: – How he is, all good with you? Keeping the smile of covinhas in the pretty face, it he answers: – Everything certinho . – Excellent excellent. With discretion then it fixes the legs displayed for the minissaia and, suddenly excited, he thinks about the loving program that will after tan the expedient with the secretary. Intelligent, knowing it, the young understands it e, conserving the smile, waits – What such people to give ones today voltinhas? – Pra me, all good. – Excellent excellent. They are faced, understanding itself, in the language where the words are unnecessary. Removing the handkerchief of the pocket of the pants, Its Gilbert passes it in the forehead, and faces. ngela rests the left leg on the right thigh, substituting the previous position with the right, in the sensual, provocative game to the pleasure waits that them. Malicious, the head smiles, understanding it. 2 the wide gate of the entrance exits of the laborers closed. The strait and long culvert a little moved away, to the left of Portaria, without expelling the smoke of the wood burnt for the boilers. The silence heavy that involves the building of conjugated sections, without nobody. Where the boxes are the trucks carrying or leading the material for the confection of the paper? Where are tractors giant, yellow, that they collect and leads the bagasse of sugar cane for the mat that takes in turn it to the cozinhadeiras, in the first one to walk? All stopping. But one or another watchman watching over the patrimony of the Company. – We are declared insolvent. Its Gilbert in relief says baixinho, realist, after the fast analysis what presencia e, horn, announcing itself. The gate is opened and the automobile enters to devagar, soft, as if it feared to wound the rocks esbranquiadas for the time and that already if they find dirty for papers that fly, dancing to the wind of the morning. Yes, patio enters in the great quiet e. The guard closes the gate. In the sky the sun scintillates with bigger force, announcing the summer, therefore after all of accounts, nothing for, everything it follows the command of a Great Force. Jumping of the car, Its Gilbert it is directed its cabinet, in the first one to walk, where it will only meet alone, in the shelter of the absentees.

Miracles

Yes, it can succeed a miracle. It smiles, jeeing itself: since when it believes miracles? It is a callous citizen for the life, has the bitter experience of how much the fight for the survival is difficult. The past taught to it, educated it with the proper examples. Good The fight continues although everything e, resoluto, removes the phone of the hook and dials, reentregando it the administrative function: – ngela gives a small jump here. All good, I wait. It restitutes the phone and it arranges the esparsos papers on bir, trying to occupy, to deceive the proper spirit. Without delaying, it hears the pats in the door, announcing the entrance of somebody. The door if opens and the brown, esguia, gracious figure of ngela appears. – Good day. – Good day, ngela. The young one passes, closes the door and in fast steps achega it the chair the front of bir and sits down, crossing the long legs, well-made. E, smiling, waits. Then Its Gilbert: – How he is, all good with you? Keeping the smile of covinhas in the pretty face, it he answers: – Everything certinho . – Excellent excellent. With discretion then it fixes the legs displayed for the minissaia and, suddenly excited, he thinks about the loving program that will after tan the expedient with the secretary. Intelligent, knowing it, the young understands it e, conserving the smile, waits – What such people to give ones today voltinhas? – Pra me, all good. – Excellent excellent. They are faced, understanding itself, in the language where the words are unnecessary. Removing the handkerchief of the pocket of the pants, Its Gilbert passes it in the forehead, and faces. ngela rests the left leg on the right thigh, substituting the previous position with the right, in the sensual, provocative game to the pleasure waits that them. Malicious, the head smiles, understanding it. 2 the wide gate of the entrance exits of the laborers closed. The strait and long culvert a little moved away, to the left of Portaria, without expelling the smoke of the wood burnt for the boilers. The silence heavy that involves the building of conjugated sections, without nobody. Where the boxes are the trucks carrying or leading the material for the confection of the paper? Where are tractors giant, yellow, that they collect and leads the bagasse of sugar cane for the mat that takes in turn it to the cozinhadeiras, in the first one to walk? All stopping. But one or another watchman watching over the patrimony of the Company. – We are declared insolvent. Its Gilbert in relief says baixinho, realist, after the fast analysis what presencia e, horn, announcing itself. The gate is opened and the automobile enters to devagar, soft, as if it feared to wound the rocks esbranquiadas for the time and that already if they find dirty for papers that fly, dancing to the wind of the morning. Yes, patio enters in the great quiet e. The guard closes the gate. In the sky the sun scintillates with bigger force, announcing the summer, therefore after all of accounts, nothing for, everything it follows the command of a Great Force. Jumping of the car, Its Gilbert it is directed its cabinet, in the first one to walk, where it will only meet alone, in the shelter of the absentees.

Verbal History

In Chartier 11, the historiogrfico destination of culturapopular is therefore always sultry, to be stressed, and, at the same time, to semprerenascer of leached ashes. The quarrel of this work, is in fact ' ' to renascer dascinzas' ' the popular culture of the city of Lizard, 12 Sergipe, through dogrupo cultural Samba of Coconut and its manifestations. Verbal History, as well as was boom of the New dHistria sprouting for the historiografia, was very criticized by observing quecritrios used in interviews of verbal matrix, represented one ' ' air deimpreciso' '. As well as the written sources, seranalisada and refined necessary History verbal before its stories define what in fact it happened nopassado. This is an exercise of the researcher, to filter the information contidasnuma verbal interview, respecting the speech of each interviewed individual. This reconciliation of verbal History with academy, notadamente from the decade of 1990, if over all must to the end dapopularizao maniquesta between ' ' vencedores' ' ' ' vencidos' ' , ' ' national and ' ' local' ' , ' ' writing and ' ' oral' ' , ' ' erudito' ' ' ' popular' ' , and so on. History oral today an interesting way to know and to register mltiplaspossibilidades that if reveal and give sensible the life forms and dediferentes choices social groups, in all the layers of the 13 society Through the verbal source, was possible to bring in return umperodo of the popular history of Lizard, being brought obtains ' ' histrias' ' that they had been part of the life of great personages who met in seuanonimato during years. The historical rescue made with that the prpriosentrevistados ones perceived the importance of the work that was sendodesenvolvido to keep a forgotten moment. The Samba of Coconut of Lizard is a dance that initially foicomposta for inhabitants of the agricultural zone, found in the Town Coconut palm, cidadede Lizard, and had as objective to transform the hours of working menosdolorosa, singing and dancing with strong strokes in the feet and the hands.

Verbal History

In Chartier 11, the historiogrfico destination of culturapopular is therefore always sultry, to be stressed, and, at the same time, to semprerenascer of leached ashes. The quarrel of this work, is in fact ' ' to renascer dascinzas' ' the popular culture of the city of Lizard, 12 Sergipe, through dogrupo cultural Samba of Coconut and its manifestations. Verbal History, as well as was boom of the New dHistria sprouting for the historiografia, was very criticized by observing quecritrios used in interviews of verbal matrix, represented one ' ' air deimpreciso' '. As well as the written sources, seranalisada and refined necessary History verbal before its stories define what in fact it happened nopassado. This is an exercise of the researcher, to filter the information contidasnuma verbal interview, respecting the speech of each interviewed individual. This reconciliation of verbal History with academy, notadamente from the decade of 1990, if over all must to the end dapopularizao maniquesta between ' ' vencedores' ' ' ' vencidos' ' , ' ' national and ' ' local' ' , ' ' writing and ' ' oral' ' , ' ' erudito' ' ' ' popular' ' , and so on. History oral today an interesting way to know and to register mltiplaspossibilidades that if reveal and give sensible the life forms and dediferentes choices social groups, in all the layers of the 13 society Through the verbal source, was possible to bring in return umperodo of the popular history of Lizard, being brought obtains ' ' histrias' ' that they had been part of the life of great personages who met in seuanonimato during years. The historical rescue made with that the prpriosentrevistados ones perceived the importance of the work that was sendodesenvolvido to keep a forgotten moment. The Samba of Coconut of Lizard is a dance that initially foicomposta for inhabitants of the agricultural zone, found in the Town Coconut palm, cidadede Lizard, and had as objective to transform the hours of working menosdolorosa, singing and dancing with strong strokes in the feet and the hands.

Camping

CAMPING 31/01/10 YOU YOU (1x) TURU TURU (2x) – I hear drum sound, does not ask please I do not know what it has more I to me I want to arrive close. to see what this sound happens drives crazy that me. The night is a group of young camped in the forest tanning making its rites thanking the laughs making commitment with the one to be Natural call LUAU. They see the NATURE as the biggest Largeness as a sound that if spreads without stopping therefore they want to camp and to sing for optimum if approaching. – Without wanting see they me and what she can happen? YOU YOU (1x) TURURURU TURURURU (2x) They drag me for the center show the event to me dancing and singing envocando and me calling to bend down and the moon to observe and to wait the dawn it stops in the water if it wets in the sand to step on and leves of the trees to chew all soon to hug itself and in languages if to communicate and in tomorrow meeting. YOU YOU (1x) TURU TURU (2x) Weverton Notrevew

Camping

CAMPING 31/01/10 YOU YOU (1x) TURU TURU (2x) – I hear drum sound, does not ask please I do not know what it has more I to me I want to arrive close. to see what this sound happens drives crazy that me. The night is a group of young camped in the forest tanning making its rites thanking the laughs making commitment with the one to be Natural call LUAU. They see the NATURE as the biggest Largeness as a sound that if spreads without stopping therefore they want to camp and to sing for optimum if approaching. – Without wanting see they me and what she can happen? YOU YOU (1x) TURURURU TURURURU (2x) They drag me for the center show the event to me dancing and singing envocando and me calling to bend down and the moon to observe and to wait the dawn it stops in the water if it wets in the sand to step on and leves of the trees to chew all soon to hug itself and in languages if to communicate and in tomorrow meeting. YOU YOU (1x) TURU TURU (2x) Weverton Notrevew